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78rpm record labels whose name begins with V.
Using the letter links below you can see pages for other letters.
Unless otherwise noted, all research and images are my own, but as you will see, many other people have helped, especially with the label catalogue listings.
All images are thumbnails, so clicking on them will display a full-sized image. Where the label name is a link, clicking it will take you to a new page with more information and, in most cases, an attempt to list all issues on that label.
A B C D E F G H I J K L M N O P R S T U V W & Z
This was an
British-pressed record dating from 1912-1916 and produced for Catesby's
Limited for sale in their London department store.
The catalogue numbers ran from 1 to about 570, then numbers above that were prefixed D- or E-. It is thought that this may be one series, but the reason for the two different prefixes is obscure.
The records initially used Beka masters from numbers 1 to about 270, then Jumbo masters were used from 300 to 570; it is not known if number 270-300 were ever used. The prefixed series use Homophon and Jumbo masters to start with before changing to Beka.
The label colour varied, (which is typical of cheaper British labels of this period) known examples being mauve, dark blue and red.
One of my favourite labels from a visual
perspective, Van Dyke records were a product of the Grey Gull company of
Boston, Mass, USA. They were quite a late-comer on the scene being
around only in the very late 1920s up to Grey Gull's demise in 1930. As with
other Grey Gull products of this period, some were shipped
over to Britain, judging by the appearance of UK publisher's copyright
stamps on the labels. This may have happened with remainder stock after
the parent company closed down. The copyright stamp value of 1d on the Van Dyke records
implies these records were sold for about 2/6, which is fairy expensive
for a cheap record. The question is: Who
was selling them in Britain? I have noticed that some labels have "Made
In the USA" rubber stamped on them.
The images are the examples I have in my collection. Reverse sides, if not shown, have no stamps, nor do they show any signs of having had any in the past, which is very odd.
Velvet Face records were made by J.E. Hough's
Edison Bell Company. The Velvet Face record was supposed to be a
superior product, but it is doubtful whether Edison Bell used a
different shellac mix for their production, so it was probably all a
Following the last
Jumbo record in 1919, the label name was changed to "Venus" and the
catalogue series followed on as well, from No. 1580 and ran well into the
1600s as well as using the A-series also found on Jumbo. Like Jumbo, the
records were produced by Hertfordshire's Mead Works (then owned by
Columbia) and used the Lindstrom/Beka
Label listing: some years ago, the CLPGS published a listing of Jumbo & Venus records, now out of print, but a new one is in preparation (2015).
|Vesper||Dating from just post WWI, this record was made by Crystalate, probably for religious music publishers, Morgan & Scott Ltd.|
|Victor||The famous American record company was part-owner of the Gramophone Company in Britain and as such there were reciprocal arrangements between the companies. One was that you could order ANY Victor record to be imported to Britain. It would seem that Levy's did a lot of this and it is not unusual to find Victor Records that were sold in Britain - the copyright stamp gives it away.|
|Victory||Previously known as "Stella Gramophone Record", the name was changed due to copyright issues. The record was produced for J. Blum & Co by Kalliope Records of Germany. Many Stella records are found with "Stella" scored out, or with a "Victory" sticker over the name. Once stocks had been sold, the records were re-pressed with the new "Victory" label, and new issues obviously were also made with the new label. It is not known if all "Stella" records can be found as "Victory".|
|Victory (7")||In 1928, a new Victory label was launched. This was a 7" record produced by Crystalate for sale in Woolworth's stores for 6d. Introduced in the Autumn of 1928, it was effectively a replacement for the 6" Mimosa record and as such offered much better value. Victory records are generally electrically recorded and have a playing time of about 2½ minutes. The catalogue ran from No 1 until about 318 in March 1931 when it was replaced by Eclipse - an 8" record - for the same price.|
An Edison Bell product
produced for sale abroad, this time in India.
Thanks to Rainer Lotz for the label scan.
|Vitadisc||Thanks to Bill Dean-Myatt for the label image.|
|Vocalion||The British company started in 1920 and was initially called Aeolian-Vocalion. The label design was similar to the already established American label and there were numerous catalogue series and owners over the next 30 or so years. The name and label design was so iconic that it has been revived in the LP era and is currently being used by Dutton Laboratories for their CD reissues. In the 78 era, there was initially the X- series and cheaper M-series in the 1920s, and later a B-series marketed by Brunswick (usually over-pasted with the "Kildare" name. In the 1930s, there was a "Celebrity" 500-series and the excellent "Swing" series starting at S-1 and running for over 300 issues. Then in the 1950s the V-1000 series mainly issued excellent dubs of classic jazz usually from the 1920s.|
|Vogue||The UK Vogue label was launched in the early 1950s and concentrated mainly on current jazz recordings from the UK and from the USA.|
|Vogue Coral||Thanks to Bill Dean-Myatt for the label image.|
|Vox Humana (sold in Australia)||
This was a
British-produced label for sale only in Australia. The records date from
the early to mid 1920s and use Pathe Actuelle masters. The catalogue
number started at VH-1 and ran to VH-68.
Thanks to Bill Dean-Myatt for providing the label photo.
A B C D E F G H I J K L M N O P R S T U V W & Z
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