Michael Thomas' Website
Labels - W & Z
|Home Page||Records||British Dance Bands||Sound Files||Contact Me|
78rpm record labels whose name begins with W
Using the letter links below you can see pages for other letters.
Unless otherwise noted, all research and images are my own, but as you will see, many other people have helped, especially with the label catalogue listings.
All images are thumbnails, so clicking on them will display a full-sized image. Where the label name is a link, clicking it will take you to a new page with more information and, in most cases, an attempt to list all issues on that label.
Page last updated on: April 17, 2020
A B C D E F G H I J K L M N O P R S T U V W & Z
|Warner Brothers||The Warner Brothers label didn't appear in Britain until 1960, so it was very surpring to me to discover that they ever issued 78rpm records. These few must have sold in tiny quantites and I'm told they are very rare indeed. They were made by Decca.|
The record was named
after Warroners Ltd who distributed the record. It first appeared in
1915, specialising in music by the Garde Republicaine Band.
|Waterhouse||My thanks to Bill Dean-Myatt for providing the label image.|
These records date to about
1924. They were manufactured by Parlophone for A.H. Wilkinson & Co. of
Glasgow. 14 different Waverley discs (but no detials given) were
advertised in December 1923 and all were
by the accordion player William Hannah.
Label image kindly provided by Bill Dean-Myatt, via Norman Field.
(sold in Australia)
product for the Australian market, Wendy records were 5½" records
produced by Vocalion from their "Little Marvel" masters.
Thanks to Adam Miller for providing the label scan.
|Wessex||My thanks to Bill Dean-Myatt for providing the label image.|
|Westport||Curry's, the famous Cycle makers, were masters at selling off old stock of other record companies. Westport was a paste-over label over old-stock Imperial and Winner records. The Winner paste-overs carry forward the same band names, whether true or pseudonyms, but the Imperial ones don't seem to. The "Catalogue" number ranges appear to be various and do not match the original records under the labels.|
I know nothing about the Western Gramophone Company, who pasted over
stickers onto this Coliseum Record. They were presumably a shop or
factor, based at the addresses in London shown on the label. As can be
seen, the label states is was made in Prussia, and there's been no
attempt to hide this, so it must be assumed that the WGC stickered
records were sold prior to the outbreak of WWI in August 1914.
(Or, but most unlikely, post-WWI.)
I've never seen any others like this, but I notice that the sticker incorporates some of the Coliseum label's design, which leads me to assume there were a number of thyese rfecord and all will be old-stock Coliseum records.
These records date
from about 1911-12. They were sold by Largs & Sons of 18-24 Whitehall
Street, Dundee and used masters from Beka. The catalogue numbers were in
an L-1 series.
Thanks to Bill Dean-Myatt for the information and label scan.
We're back in
"Paste-over" country here. Whiteheads were a well-known department store
in Bolton and their label was pasted over Duophone unbreakable records
from the late 1920s. The details and catalogue numbers matched the
original Duophones. Whiteheads survived the label by many years, and
only closed in 2006 after trading for 141 years.
Please e-mail me with details of ANY of these records.
|Whiteley||Whiteley's were a department store in London (Queen's Road, Bayswater). In about 1912, they started stocking their own records, which were oversized (10½") and pressed from Grammavox masters. There were about 150 pairs of titles in a catalogue series running from W-1.|
|Whitfields||My thanks to Bill Dean-Myatt for providing the label image.|
were two distinctly different series of Whytsdale record, but both were
manufactured for Whyte, Risdale & Co of Bishopgate, London. The first
one shown dates from late 1908 and was
manufactured by the Disc Record Company using masters from the defunct Nicole record
company, but were pressed in normal shellac. The second style is
probably a couple of years later and was made by Edison Bell (J.E. Hough
Ltd) using their own Bell Disc masters.
Thanks to Norman Field for the first label image and Paul Baker for the second.
Launched in 1912,
Winner was produced by J. E. Hough (The Edison Bell Co) and was a
standard-sized 10" record. Many of the company's previously issued
"Bell" master were used to start with. "Winner", being British
manufactured, was a reaction to the cheap German imports which flooded
the market just before WWI. The quality was very good, except
occasionally during the war, when cheaper material and poor pressings
dogged the label. At the demise of Hough's company in 1933, the label
was taken on by Decca and survived until late 1934.
Label listing: Arthur Badrock & Karlo Adrian produced a comprehensive Winner listing some years ago; the CLPGS have copies still in stock.
Witton records date from 1928 when 6
records were issued; they were pressed by Edison Bell and were a 12"
disc, costing 5/- each. Unsurprisingly, given the price, they are hard
to find, and it is assumed they were made for Witton & Co, who sold gramophones & Pianos under this
All 7 known records are by the same singer. The sole issue in the W-5000 series has the same label design but with black printing rather than green.
My thanks to Bill Dean-Myatt for providing the label image.
|Women's League Of Health And Beauty||
This was a series of 6 records
produced in 1934 which came provided with excercise charts.
According to the label, they were produced in cooperation with the Linguaphone Insitute and therefore is it liklely they were manufactured by Vocalion or Crystalate.
Thanks to Chris MacDonald for providing the label image.
|Woolworths||My thanks to Bill Dean-Myatt for providing the label image.|
|World||"World" was eccentric inventor Noel Pemberton-Billing's attempt to improve recording quality and extend the playing time of records generally. On a normal record, the actual velocity that the needle is travelling along the groove has reduced considerably, and the sound quality reduces likewise, towards the end of the side. By making a record where this doesn't happen (where the rotational speed of the disc increases gradually), he not only removed this problem, but also increased the playing time of the record, but starting slowly and speeding up to 80rpm by the end. The problems were many: No top-line artists; the records were expensive; you needed a special gadget to play them at the right speed (and most gramophones weren't capable of coping with the gadget!). They only survived for a few years in the early-to-mid 1920s. They are rare anywhere, but copies turn up in Australia, suggesting they were sold in both countries, or that old UK stocks were shipped out.|
was originally a
record of the "unbreakable" type, like Duophones, bring made of a
central core of card, with a layer of a plastic-type material on top, for
the playing surface. The records cost 1/3 and were available during
1929-1930. They suffer from the same problem of break-up and
disintegration as Duophones and are probably quite a bit rarer. The
catalogue was in an A-1000 series and ran to about A-1042.
Then a new B-1000 series was introduced at 2/-, made of standard shellac and with a label that resembled America's "Van Dyke". This series was even shorter-lived, running for about 20 issues.
|World Jewish Congress||Thanks to Bill Dean-Myatt for the label image.|
|Ye Popular||See under "Popular".|
|York||Thanks to Bill Dean-Myatt for the label image.|
The first example has an unknown source, but looks pre-WWII.
Thanks to Bill Dean-Myatt for the label image.
The second image shows of the labels recorded by Northern Sound Services of Newcastle-upon-Tyne in the 1950s; pressed by Oriole Ltd.
Label image courtesy of the late Frank Wappatt.
(More label designs)
American company, the Zonophone name was bought by the Gramophone
Company in 1903 and they started issuing single-sided 5½", 7", 10" and
12" discs. In 1913, the name was applied to the double-sided
records which had been called "Twin" and both names appeared on the
label for some years. In 1932, when Columbia & the Gramophone Company
were merged to form EMI, Zonophone was once again paired with an existing
label and Regal-Zonophone was born. This survived until 1948. The name
was revived in the 1960s (by EMI).
Label listing: the CLPGS have produced a full listing of the Twin & Zonophone label.
A B C D E F G H I J K L M N O P R S T U V W & Z
To Top of Page