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contributed to this page: Jolyon Hudson, Philip Hutchinson, Mike Langridge, Dave
Mason, Edward Walker, Steve Walker.
Page last updated on:
August 05, 2024
Firstly, the 100-series. The label is a
deep purple.
Cat No | Matrix No. | Title | Artist on Label |
101 | S-141 | What I Believe, part 1 | Ernest W. Oaten |
S-142 | What I Believe, part 2: Further Experiences | Ernest W. Oaten | |
102 | S-143 | What I Believe, part 3: Positive Assurance; The Value Of Home Circles | Ernest W. Oaten |
S-144 | What I Believe, part 4: Death - A Junction Not A Terminus | Ernest W. Oaten | |
103 | S-145 | What I Believe, part 5: Deeds, Not Creeds | Ernest W. Oaten |
S-156 | What I Believe, part 6: Religious Implications | Ernest W. Oaten |
The short-lived "Light Blue Popular Series (2/- each) is shown here.
Cat No | Matrix No. | Title | Artist on Label |
750 | Storm Clouds | Premier Piano-Accordion Band (directed by Richard Ellis) | |
Tango In E Minor | Premier Piano-Accordion Band (directed by Richard Ellis) | ||
751 | |||
752 | Linden Lea | Albert Jones (tenor, with piano accmp by Gilbert Stacey) | |
There Is No Death | Albert Jones (tenor, with piano accmp by Gilbert Stacey) | ||
Now the 1900- series. Teledisks are very scarce, but these are the red labelled "Dance Series" ones which usually turn up. They cost 1/6.
Cat No | Matrix No. | Title | Artists |
1930 | |||
1931 | |||
1932 | |||
1933 | |||
1934 | |||
1935 | |||
1936 | |||
1937 | |||
1938 |
S-147 S-148 |
Bugle Call Rag Canadian Capers |
Al Bowes and his Melodians |
1939 |
S-151 S-152 |
It's Home Because Of Once Upon A Time |
Howard Baker and his Band |
1940 |
S-154-R |
Your Head On My Shoulder Stay As Sweet As You Are |
Streatham Ice Rink Orchestra (directed by Hal Griff) |
1940 |
S-154-R S-161 |
Your Head On My Shoulder Blue Sky Avenue |
Streatham Ice Rink Orchestra (directed by Hal Griff) |
1941 |
S-155 S-156 |
The Mouth Organ Chorus (Will
Hyde) Savoy American Medley (arr. Debroy Somers) |
Tom Bishop & Harry Simmons (mouth organs) (of Jac. E's Harmonica Masqueraders) |
1942 | |||
1943 | S-159 S-160 |
Blue Danube (waltz) Serenade (Toselli) |
Jac. E's Harmonica Masqueraders |
1944 |
S-166 S-167 |
That's A Plenty Blue Moon |
Rex Owen & his Band (at the Kew Palais de Danse) |
1945 | Blue Moon Yeah! Man |
The Cavendish Band (directed by Robert Leach) | |
1946 |
S-178 S-179 |
Dancing With My Shadow After The Storm |
Joseph Swindin and his Boys (at Bradford, Yorks.) |
1947 |
S-182 S-183 |
Blue Smoke That Babe Is Stuck On Me |
Stan Atkins & his Band (from Islington Town Hall) |
1948 |
S-184 S-185 |
Keep Moving, selection part 1 (intro.
Keep Moving; We'll Dance Through Life Together; Love Is Everywhere; Get
Hot) Keep Moving, selection part 2 (intro. Twice One Are Two; I've Got My Man; Stamp On The Heel And Toe; Take A Chance On Me) |
Doug Fisher and his Original Arcadians Band (from Gaumont British Club) |
1949 | S-194 S-195 |
Squidge Hungarian Rhapsody No. 2 (Liszt) |
Joe & Al Fenton (guitar duet, with
organ accmp) Joe & Al Fenton (banjo duet, with piano accmp) |
1950 | |||
1980 | |||
1981 | |||
1982 | |||
1983 | |||
1984 | |||
1985 | |||
1986 | Orient Express Smoke Rings |
The Six Savillians (at the Saville Ballrooms) | |
1987 | |||
1988 |
S-197 S-198 |
What A Diff'rence A Day Made Nobody's Sweetheart |
Norman Stanley and his Band |
1989 | |||
1990 |
S-222 S-223 |
Put On Your Old Grey Bonnet Seein' Is Believin' |
Stan Atkins and his Band |
1991 |
S-225 S-226 |
For Me, For You Dinah |
John Rendell and his Band |
1992 | S-229 S-230 |
Dinah; Whispering She's Funny That Way |
The Novelty Trio (with Cyril
Killinger, piano) Cyril Killinger (piano) |
1993 | |||
1994 |
S-279 S-281 |
Red Sails In The Sunset Leave Me With A Love Song |
Stan Atkins and his Band |
1995 | |||
1996 |
S-287 S-289 |
Scottish Medley
(intro. Banks Of Allan water; The Corn Rigs Are Bonnie, O; because He
Was a Bonnie Lad; Strathspey; Colonel Stuart Reel) Irish Medley (intro. River Shannon; St Patrick's Day; The Minstrel Boy; Boys Of Wexford; Leg Of A Duck Jig) |
Pipe Major Edward Massie McLean (bagpipes) |
1997 | Good For Nothing If Your Father Only Knew |
Bill Airey-Smith and his Swingin' Spiders (at the Spider's Web Roadhouse, Bushey) | |
1998 | |||
1999 |
S-416 or 424 S-417 or 425 |
We're Just A Great Big Happy
Family Jane (waltz) |
Cas. Braithwaite's Alexandrians Dance Band |
NOTE: The confusion over the matrix numbers on the above issue is due to the fact the label of the example seen shows S-416 & S-417, but the record itself has both sets of matrix numbers pressed into it, suggesting some sort of remake session. [Thanks to Mike Langridge for this informaion.] |
Next the 3500- series which are blue labelled "concert" series. These cost 2/6.
Cat No | Matrix No. | Title | Artists |
3529 | Love's Last Word Is Spoken I Hear You Calling Me |
Pat Milsom (soprano) acc by Doreen
Milson (accordion) Jac. E (musical saw) & Doreen Milsom (accordion) |
|
3531 | Miserere, Il Trovatore, act
IV (Verdi) Dear Love Of Mine |
Elaine Longmore (dramatic soprano,
with piano by Gilbert Stacey) Albert Jones (tenor, with piano by Gilbert Stacey) |
|
3530 | S-162 S-163 |
Over The Moon, vocal
selection, part 1 (Paul Burgess) (intro: Over The Moon; New Hearts For
Old) Over The Moon, vocal selection, part 2 (Paul Burgess) (intro: S.O.S.; Finale) |
Esmee Finlay (soprano) (with piano
accmp by Nigel Burgess) Pat Myrgatroyd (baritone) (with piano accmp by Nigel Burgess) |
3531 | |||
3532 | S-180 S-181 |
Sugar Baby Take a Lesson From The Birds |
Doreen Latimer (vocal) with Margaret Davis (piano-accordion) |
3533 | S-186 S-187 |
When I Grow Too Old To Dream I Believe In Miracles |
Jimmy Forsyth (of Wembley Lions Ice Hockey Team) (with piano accmp by Hal Griff & Freddy Brain) |
3534 | |||
3535 | |||
3536 | |||
3537 | |||
3538 | |||
3539 | |||
3540 | |||
3541 | |||
3542 | |||
3543 | |||
3544 | |||
3545 | |||
3546 | |||
3547 | |||
3548 | |||
3549 | |||
3550 | |||
3551 | S-210 S-212 |
Memories My Mother |
James Coleman (vocal, with piano accmp) |
3552 | S-211 . |
My Hope Gentlemen, The King! |
James Coleman (vocal, with piano accmp) |
3553 | S-203 S-204 |
Robbin' Harry Love In Bloom |
Dennis Gilbert (the 13 year-old boy xylophonist) (with piano accmp) |
3554 | Marianne Through The Goal |
Charles Went (accordeon) | |
3555 | |||
3556 | |||
3557 | |||
3558 | |||
3559 | |||
3560 | |||
3561 | |||
3562 | |||
3563 | |||
3564 | |||
3565 | Though It Is Only A Dream When I Grow Too Old To Dream |
Barry Jones (tenor) | |
3566 | S-251 S-252 |
Wayfarer's Night Song The Lute Player |
D.L. Hughes (bass-baritone, with piano accmp) |
3567 | The Legion Of The Lost When a Soldier Falls In Love |
Eddy Reed (baritone, with piano accmp by Gilbert Stacey) | |
3568 | |||
3569 | The Legion Of The Lost When a Soldier Falls In Love |
Eddy Reed (baritone, with piano accmp by Gilbert Stacey) | |
3570 | For My Country Swiss Military March |
The Went Brothers (button accordion duet) | |
3571 | Rhythm Melody Syncopasia |
Don Stanley (piano) (and composer) | |
3572 | Black Eyes Souvenir Of The Ukraine |
Teledisk Light Orchestra (cond. Gilbert Stacey) | |
3573 | S-351 S-352 |
Soiree De Vienne, Op 56
(Fledermaus Concert Paraphrase) (Strauss, arr. Grunfeld), part 1 Soiree De Vienne, Op 56 (Fledermaus Concert Paraphrase) (Strauss, arr. Grunfeld), part 2 |
Ernest Lush (piano) |
3574 | |||
3575 | |||
3576 | |||
3577 | |||
3578 | |||
3579 | S-363 S-364 |
Melody In F The General's Fast Asleep |
Don Stanley (piano) |
The A-series was described as made for The Anglo-International Concert Direction. These cost 3/6 for 10" records and 5/- for 12".
Cat No | Matrix No. | Title | Artists |
A-2880 (12") | Allegro (Valentini) Le Cygne (Saint-Saens) |
Jacques van Lier (cello, with piano accmp by Enid Brook) | |
A-3100 | Songs My Mother Taught Me
(Dvorak) Standchen (Serenade) (Strauss) |
Mme. Elena Liarosa (piano accmp by Enid Brook) | |
A-3101 | Gruppe Aus Dem Tartarus
(Schubert) Nacht Und Tartarus (Schubert) |
Mme. Elena Liarosa (piano accmp by Enid Brook) | |
A-3102 | Dido's Lament (Purcell) Morgen (Strauss) |
Mme. Elena Liarosa (piano accmp by Enid Brook and cello by Jacques van Lier) | |
The LP- prefixed series were specially recorded for the Labour Party (see image). Thanks to Dave Mason (via Mike Langridge) for providing this information. These cost 2/6. From aural & visual evidence of these records, it would seem that these are not recorded or made by Teledisk, but are Crystalate contract records.
Cat No | Matrix No. | Title | Artists |
LP-1 | S-188 |
The Red Flag (Connell) |
Harold Kelly (Baritone), Maud Ward-Cowdery (Contralto) with The Four Comrades Male Voice Quartet, Band of the Musicians Union Labour Chorus and Organ. |
S-190 | Hark! The Battle Cry (Salt) |
The Four Comrades Male Voice Quartet, Band of the Musicians Union. |
|
LP-2 | S-189 | The International | Harold Kelly (baritone) |
S-192 | The Banner Of Freedon (Keir Hardie) |
Maud Ward-Cowdery and the Labour Chorus, with Gilbert Stacey at the organ |
|
LP-3 | S-191 | England, Arise (Keir Hardie) |
Four Comrades Male Voice Quartet with the Band of the Musicians’ Union |
S-193 | Jerusalem | Maud Ward-Cowdery (contralto) & the Labour Chorus (organ accmp by Gilbert Stacey) |
The following are, or are reported to be, un-numbered. I will list them by matrix number and show the coupling on the right. Those marked * are aluminium discs
Matrix No | Title | Artist on Label | Coupling. |
S-139 | The Lion And Albert, part 1 (Marriott Edgar) | Musical monologue | s/sided |
S-196 | Moonglow | Bill Trethowan and his Semiquavers | S-197 |
S-197 | St. Louis Blues | Bill Trethowan and his Semiquavers | S-196 |
*931 | Song Of Love (K.M. Cordiner) Mother Dear (K.M. Cordiner) |
Gilbert Stacey [931 is a "Cat No.", same both sides] |