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Yet another pre-WWI record produced for J. Blum & Co. Like Diploma, this one used masters from the German Kalliope company. Judging by surviving examples, the company ran into copyright problems with the name and it is rare to find a Stella-Gramophone Record (to give it its full name) which hasn't been "amended". Some have the word "Gramophone" scratched out, and others have a label printed with "Victory" stuck over the word "Stella". The catalogue numbers have various prefixes, such as A-, B- and C-, followed by a 1, 2 or 3-digit number. The label name was subsequently changed to Victory. |
All of the initial information has been
provided by Frank Andrews from his years of research.
Please
e-mail
me if you can help me fill in the gaps
in any of these series.
Thanks to the following for extra details:
Peter Andrews, Anton Bieber,
Paul Cleary, Graham Farnell, Norman Field, Mike Jones,
Mike Langridge, Paul Kilmartin, Ian McPherson, Tom Stephenson
Page last updated:
October 03, 2024
Cat No | Matrix | Title | Artists |
A 1 |
1010 1011 |
Old Comrades March Light Cavalry Overture (Suppe) |
Band of H.M. Irish Guards Band (cond: Charles Hassall) |
A 2 | |||
A 3 |
1032 1058 |
Coronation Bells, march Bells Of St. Malo |
Royal Military Band |
A 4 |
1013 1014 |
Poet And Peasant, overture part 1 (Suppe) Poet And Peasant, overture part 2 (Suppe) |
Band of H.M. Irish Guards Band (cond: Charles Hassall) |
A 5 | |||
A 6 |
1042 |
Love In Idleness, part 1 Love In Idleness, part 2 |
Royal Military Band |
A 7 |
1015 1017 |
Wearing Of The Green Moore's Irish Melodies |
Royal Military Band |
A 8 |
1019 1025 |
Viscount Nelson March Army And Navy March |
H.M. Irish Guards [sic - image seen] Band of 12th Hussars |
A 9 |
1028 ? 1029 |
Faust, selection part 1 (Gounod) Faust, selection part 2 (Gounod) |
Band of 12th Hussars |
A 10 |
1016 1082 |
Poppies (Neil Moret) Christchurch Call (Descriptive selection) |
His Majesty's Irish Guards [sic] Band of 12th Hussars |
A 11 |
1043 1076 |
Tales Of Hoffman - Barcarolle
(Offenbach) The Passing Of Salome |
Royal Military Band |
A 12 |
1057 |
1812 Overture (Tchaikovsky) Masaniello Overture |
Band of 12th Hussars |
A 13 |
1043 1056 |
Tales Of Hoffman - Barcarolle
(Offenbach) Il Trovatore, selection (Verdi) |
Royal Military Band |
A 14 |
1045 1046 |
"Zampa" - overture, part 1 (Herold) "Zampa" - overture, part 2 (Herold) |
Royal Military Band |
A 15 | |||
A 16 | |||
A 17 |
1052 1053 |
"Lohengrin" - Introduction to
3rd Act (Wagner) "Tannhauser" - overture (Wagner) |
Band of 12th Hussars |
A 18 |
1055 1056 |
Rienzi, overture (Wagner) Il Trovatore, selection (Verdi) |
Royal Military Band |
A 19 |
1060 1078 |
Waltz Solita Morris Dance ("Henry VIII Dances" - German) |
Royal Symphony Orchestra Royal Military Band |
A 20 |
1075 1081 |
Amoretten Waltz (Johann Strauss) In The Shadows (Herman Finck) |
Royal Military Band Band of 12th Hussars |
A 21 | |||
A 22 |
1115 1120 |
La Mattchiche (Ch. Borel Clerc) La Danse Des Apaches (-) |
Royal Military Band |
A 23 | |||
A 24 |
1116 1121 ? |
Alexander's Ragtime Teddy Bears' Picnic |
Royal Military Band |
A 25 |
1140 1141 |
Scottish Airs, part 1 Scottish Airs, part 2 |
Pipe Major H. Forsyth |
A 26 | |||
A 27 |
1149 1150 |
Imperial Edward, march The Crusader, march |
Band of 12th Hussars Victory Military Band |
A 28 | |||
A 29 |
1151 1152 |
Manhattan Beach, march Semper Fidelis, march |
Band of 12th Hussars |
A 30 |
1155 1158 |
Washington Post, march Liberty Bell, march |
Band of 12th Hussars |
A 31 | |||
A 32 |
1170 1217 |
Sunshine Girl, selection Blue Danube, waltz (Strauss) |
Band of 12th Hussars |
A 33 |
1216 1218 |
Ballet Russe - Czardas No. 1 Peer Gynt Suite No. 2 |
Royal Military Band |
A 34 | |||
A 35 | |||
A 36 |
1116 1121 |
Alexander's Ragtime Band Post Horn Galop |
Royal Military Band Band of 12th Hussars |
A 37 |
1219 1321 |
A Motor Ride, descriptive The Jolly Coppersmith |
Royal Military Band |
A 38 |
1255 1256 |
"Carmen", selection part 1 (Bizet) "Carmen", selection part 2 (Bizet) |
Band of 12th Hussars |
A 39 |
1257 1258 |
Ballet Russe - Czardas No. 2 Ballet Russe - March Russe No. 5 |
Royal Military Band |
A 40 |
1249 |
Peer Gynt Suite - Anitra's Dance
(Grieg) Peer Gynt Suite - Morning (Grieg) |
Band of 12th Hussars |
A 41 |
Coppelia Ballet - Mazurka
(Delibes) Coppelia Ballet - Waltz (Delibes) |
Royal Military Band | |
A 42 |
1250 1253 |
Peer Gynt Suite - Dance Of The Imps
(Grieg) Gold And Silver Waltz |
Band of 12th Hussars |
A 43 |
1251 1253 |
Ballet Egyptien, part 1 Ballet Egyptien, part 3 |
Royal Military Band |
A 44 |
1265 1317 |
Cavalleria Rusticana, selection
(Mascagni) Cavalleria Rusticana, intermezzo (Mascagni) |
Band of 12th Hussars |
A 45 | |||
A 46 |
1325 1326 |
Nell Gwyn Dances, No. 1 (German) Nell Gwyn Dances, No. 2 (German) |
Band of 12th Hussars |
A 47 |
1320 1327 |
The Cossacks Aida - Marche Triumphale (Verdi) |
Royal Military Band Band of 12th Hussars |
A 48 |
1254 1322 |
Les Patineurs, valse The Wee MacGregor Patrol |
Royal Military Band |
A 49 |
The Gondoliers, selection part 1 (Sullivan) The Gondoliers, selection part 2 (Sullivan) |
Band of 12th Hussars | |
A 50 | |||
A 51 |
1266 1267 |
Hungarian Rhapsody, No. 2 (Liszt) Die Walkure - Ride Of The Valkyries (Wagner) |
Band of 12th Hussars |
Cat No | Matrix | Title | Artists | |
B 1 | ||||
B 2 |
1038 1040 |
Out On The Deep Rocked In the Cradle Of The Deep |
T.F. Kinniburgh (bass) | |
B 3 | ||||
B 4 |
1021 1035 |
An Evening Song Genevieve |
Wilfred Virgo (tenor) Helen Robins (contralto) (= Jessie Broughton) |
|
B 5 | ||||
B 6 | ||||
B 7 |
1041 1205 |
The Diver Meet Me To-Night In Dreamland |
T.F. Kinniburgh (bass) Robert Carr (baritone) |
|
B 8 | ||||
B 9 | 1073 | Red Pepper | Band of H.M. 12th Hussars | |
B 10 |
1086 1089 |
I Wonder If You Miss Me Sometimes Somewhere A Voice Is Calling |
Robert Carr (baritone) | |
B 11 |
1127 1128 |
Drake Goes West The Sea Road |
T.F. Kinniburgh (bass) | |
B 12 | ||||
B 13 | ||||
B 14 |
1129 1130 |
Beyond The Dawn Son Of Mine |
T.F. Kinniburgh (bass) | |
B 15 | ||||
B 16 |
1166 1188 |
Mattinata (Leoncavallo) Ariosa ("Il Pagliacci" [sic]) |
Signor Scarcella (in Italian) Signor Di Giovanni (in Italian) |
|
B 17 |
1207 1208 |
Your Eyes Have Told Me So The Ship That Will Never Return |
Robert Carr (baritone) | |
B 18 | ||||
B 19 |
1213 1225 |
Romanza ("Forza del Destino") La Donna e Mobile |
Signor Di Giovanni Signor Giovanni Caracciolo |
|
B 20 | ||||
B 21 | ||||
B 22 |
1189 1192 |
Improviso ("Andrea
Chenier" - Giordano) Celeste Aida ("Aida" - Verdi) |
Signor Eduardo Di Giovanni (tenor) | |
B 23 | 1206 | The Rosary | Robert Carr (baritone) | |
B 24 | ||||
B 25 |
1242 1243 |
"Faust" - When All Was Young The Magic Of Your Voice |
Jessie Broughton (contralto) | |
According to Mike Langridge's research, B-25 is
the highest STELLA RECORD in this series. Therefore the following may only have been made
as VICTORY Records. Confirmation of any STELLA above this number would be very useful. |
||||
B 26 |
1288 |
Sombre Words Drink To Me Only With Thine Eyes |
Madame Jeanne Jomelli (soprano) | |
B 27 | ||||
B 28 |
1244 1272 |
Sympathy In Sweet September |
Jessie Broughton (contralto) | |
B 29 |
1281 1282 |
"Otello" - Nium Me Toma "Otello" - O Pianto O Duol |
Signor Eduardo Di Giovanni (tenor) | |
B 30 |
If I Built A World For You Rose In The Bud |
Gertrude Newson | ||
B 31 |
1313 |
Some Day I May Forgive You Let Me Call You Sweetheart |
Robert Carr (baritone) | |
B 32 |
1290 |
The Laughing Streamlets The Cuckoo |
Madame Jeanne Jomelli (soprano) | |
B 33 |
1350 1351 |
You Cam When Life Was Sunshine
[sic] Some Day You'll Know |
Robert Carr (baritone) | |
B 34 | ||||
B 35 | ||||
B 36 | ||||
B 37 |
1332 1333 |
La Tosca It Trovatore |
Madame Jeanne Jomelli (soprano) | |
B 38 |
Marina My heart Is With You To-Night |
Senor Bocardi (tenor) Robert Carr (baritone) |
||
B 39 |
"Rigoletto" - Questa O Quella Tourna A Sorrienta |
Gemmaro Barra (tenor) | ||
B 40 |
Clavelitos La Paloma |
Senor Bocardi (tenor) | ||
B 40 |
I Shall Never Cease To Love You Let Me Kiss Those Tears Away |
Robert Carr (baritone) | ||
B 41 | ||||
B 42 | ||||
B 43 | ||||
B 44 | ||||
B 45 |
Cat No | Matrix | Title | Artists |
C 1 |
1083 1084 |
I Used To Sigh For The Silvery Moon By The Light Of The Silvery Moon |
Jack Charman |
C 2 | |||
C 3 |
1062 1063 |
John, Go And Put Your Trousers On Save a Little One For Me |
Billy Melville (comedian) (= Jack Charman) |
C 4 | |||
C 5 | |||
C 6 |
1114 1118 |
The Laughing Family I Tried To Keep From Laughing |
Charles Penrose (comedian) |
C 7 |
1065 1085 |
Don't Go Out With Him To-Night I Don't Care |
Billy Melville (comedian) (= Jack Charman) Jack Charman |
C 8 |
1107 1112 |
Carrotty Any Old Iron |
Billy Melville (comedian) (= Jack Charman) Fred Claremont (= Jack Charman?) |
C 9 | |||
C 10 |
1131 1134 |
I'm Proud Of My Old Bald Head I've Only Been Married A Week |
Alf Willis |
C 11 |
1001 1002 |
Hush! Here Comes The Dream Man We All Go The Same Way Home |
Claude Graham Jack Charman |
C 12 |
1132 1133 |
Red White And Blue See What Percy Picked Up In The Park |
Fred Claremont |
C 13 | |||
C 14 |
Tickle Me, Timothy I Never Heard Father Laugh So Much Before |
Billy Melville (= Jack Charman) | |
C 15 |
1137 1139 |
What Became Of The Girls I Used To Know? I've Had My Fortune Told |
Jack Charman |
C 16 |
1159 1162 |
Come Round And Hear The Gramophone No More Stopping Out Late |
Jack Charman |
C 17 |
1113 1164 |
I Tried To Keep From Laughing We Must Have A Song About The Isle Of Man |
Charles Penrose (comedian) Jack Charman |
C 18 |
1178 1179 |
What Do We Pay The Rates For? I've Got Something To Tell You |
Mr. C. Pencaws (= Charles Penrose) |
C 19 | |||
C 20 |
1147 1148 |
Life In The East End Of London Oh! Who Said So? |
Charles Penrose (comedian) |
C 21 |
1193 1195 |
Roaming In the Gloaming It's Just Like Being At Home |
Vernon Watson |
C 22 | 1202 |
He Played On His Fiddle De Dee Jean Fra' Aberdeen |
Billy Melville (= Jack Charman) |
C 23 |
Impressions Of Harry Lauder Impressions Of Wilkie Bard |
Vernon Watson | |
C 24 |
1200 1201 |
The Spaniard That Blighted My Life I'm Setting The Village On Fire |
Jack Charman |
C 25 | |||
C 26 |
1197 1200 |
The Spaniard That Blighted My Life |
Jack Charman |
C 27 |
1164 1165 |
We Must Have A Song About The Isle Of Man I Wish She'd Give Me The Glad Eye |
Jack Charman |
C 28 |
1182 1183 |
Here We Are Again Why Can't We Have The Sea In London? |
Billy Melville (comedian) (= Jack Charman) |
C 29 |
1187 1188 |
Maloney Don't Keep Grumbling About The Weather |
Claude Graham (comic) |
C 30 |
1185 1186 |
We'll Have A Night Out Together
To-Night When Mother Dropped A Halfpenny On The Bus |
Claude Graham (comic) |
C 31 | |||
C 32 | |||
C 33 | |||
C 34 | |||
C 35 |
1269 1316 |
Bonnie Leezie Lindsay I Love A Lassie |
Vernon Watson (Impersonations of Harry Lauder) |
C 36 |
1238 1239 |
March To Marble Arch Stop, Stop, Stop |
Jack Charman |
C 37 |
1268 1270 |
The Same As His Father Did Before Him Stop Yer Tickling Jock |
Vernon Watson |
C 38 |
. 1241 |
Alexander's Bagpipe Band The Village Ragtime Band (Bang Bang) |
Jack Charman |
C 39 |
1273 1277 |
The Message Boy Tempt Me Not |
Vernon Watson |
C 40 | |||
C 41 |
1232 1335 |
Come On Josephine Saturday Afternoon Till Sunday Morning |
Jack Charman |
C 42 | |||
C 43 | |||
C 44 |
1275 1276 |
Playing The Game In The West I Want To Sing In Opera |
Vernon Watson |
C 45 |
One Of The B-Hoys You Mean Somebody But You Don't Mean Me |
Vernon Watson | |
According to Mike Langridge's reearch, C-45 is
the highest STELLA RECORD in this series. Therefore the following may only have been made
as VICTORY Records. Confirmation of any STELLA above this number would be very useful. |
|||
C 46 | |||
C 47 | |||
C 48 |
Lead Me To That Beautiful Band Play That Aloha Rag |
Jack Charman | |
C 49 | |||
C 50 |
Cat No | Matrix | Title | Artists |
E 1 |
1306 1309 |
The Old Huntsman Abide With Me |
Robert Carr (baritone) T.F. Kinniburgh (bass) |
E 2 | |||
E 3 |
1310 1354 |
Rock OF Ages Cleft For Me There Is A Green Hill Far Away |
T.F. Kinniburgh (bass) Robert Carr (baritone) |
E 4 |
1354 1357 |
Calvary The Holy City |
T.F. Kinniburgh (bass) Robert Carr (baritone) |
E 5 |
1359 1360 |
A Few More Years Shall Roll Art Thou Weary, Art Thou Languid ? |
Robert Carr (baritone) T.F. Kinniburgh (bass) |
E 6 |
1358 1361 |
Nazareth Lead, Kindly Light |
Robert Carr (baritone) |
E 7 |
1292 1293 |
The Hyms My Mother Used To Sing (Langford) Ora Pro Nobis (Piccolomini) |
Robert Carr (baritone) |
E 8 |
1295 1363 |
O Come All Ye Faithful (Adestes Fideles) Christians Awake |
Robert Carr (baritone) |
E 9 |
1296 |
Nearer My God To Thee Nearer My God To Thee |
Robert Carr (baritone) Royal Symphony Orchestra |
According to Mike Langridge's reearch, E-9 is
the highest STELLA RECORD in this series.Therefore the following may only have been made
as VICTORY Records. Confirmation of any STELLA above this number would be very useful. |
|||
E 10 |
1433 1441 |
"The Messiah" - Glory Be To God "The Messiah" - Hallelujah Chorus |
The Christchurch Choir (50 voices) |
E 11 |
Good King Wenceslas The First Nowell |
The Christchurch Choir (50 voices) | |
E 12 |
1440 1442 |
"The Messiah" - For Unto Us A Child Is Born "The Messiah" - Worthy Is The Lamb |
The Christchurch Choir (50 voices) |
E 13 |
God Rest Ye Merry, Gentlemen Hark! The Herald Angels Sing |
The Christchurch Choir (50 voices) | |
E 14 |
O Come All Ye Faithful While Shepherds Watched Their Flocks By Night |
The Christchurch Choir (50 voices) | |
E 15 | |||
E 16 |
2499 2527 |
Nearer My God To Thee Holy, Holy, Holy |
T.F. Kinniburgh (bass) Robert Carr (baritone) |