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Pickofall records were first advertised in November 1912. They were sold
by The Regent Fitting Company, which was owned by Roumanian emigrant
Leon Leibowich, who also sold the various "Besttone" records and "Playwell
Records" along with various gramophones and associated items (at various
times). The company was based at 131, Wardour Street, London W, but
moved in December 1912 to 120, Old Street, London W, premises previously
occupied by record wholesaler's Lugton & Co. The first Pickofall records announced were in two catalogue series; 800 for instrumental recordings and 900 for vocal. The initial 900 series batch seem to all use former Bel Canto masters with a 5000-series master number. A subsequent issue in this series uses Dacapo masters which have a master series starting at E-1. The labels show the masters to be in an E-90000 range, the numerical part of which is the Dacapo master number enclosed by the catalogue number. Or nearly, I should say. If you look at the second image, right, you will see the master number shown as E-98538. This is 988, with "53" (the actual master number) in the middle. The only problem is that the catalogue number is 987 not 988. Who said discography was straightforward? The 800-series use masters in a 3000 series. I understand these are from the Russian-based Metropol Records (based in Aprelkova, Moscow). The company later changed its name to The Dacapo Record Company after forming an association with the German Dacapo Record Company, and this was presumably how the masters came to be in Germany. 12" Pickofall records were announced in May 1913, but none have been reported to me, though Norman Field has a test issue, with a blank Pickofall label on one side, shown on his website. After this time, Pickofall records started to be issued without Catalogue number, but just with face numbers. These are believed to have been manufactured by the Turmalin Werke in Berlin. Two types of these have been found: ones with the 3000 numbers, previously issued in the 800 series; although this new batch had no catalogue numbers, the couplings were the same as those in the 800 series. The others had a rather convoluted series of face numbers which started with a two-digit number, either 34, 35 or 36. This was followed by a 4-digit number in the 4000 range. This number is made up of the last 2 digits of the 5000-series master number, prefixed by a 4, then with the last number duplicated. The two-digit prefix is 34, for master numbers between 5000 and 5099, 35 for 5100 - 5199 and 36 for 5200-up. Some masters (in the 41000 series) were from Beka/Lindstrom. For these, Pickofall used a 33 prefix, and the suffix is the last three digits of the master number, with the last digit duplicated in the same way as the others. (All that must have kept the office-boy busy.) It is believed that all these had already been issued with 900-series catalogue numbers. A 38-series prefix was used for masters from other companies, such as Favorite. All Pickofall records I've seen have the legend "PRESSED IN PRUSSIA" on the labels, but Liebowich continued to advertise this label long after the outbreak of WWI. According to reports at the time, Liebowich had huge stocks of German-made Pickofall (and other) records when war broke out. He continued to sell these, reduced in price to 1/1 and presumably with the country of manufacture scrubbed out or covered over on the record labels. Despite Pickofall records being available from late 1912 until at least April 1916, they are very rare, and I suspect much of the information below has come from advertisements rather than viewing of the actual records, always worrying when trying to produce a label listing of any accuracy. Thanks to Bill Dean-Myatt for providing the first label photo. The other one is from my own collection |
|
My thanks to Frank Andrews in providing
most of the information for this page.
Please
e-mail
me if you can help me fill in the gaps
in any of these series.
Thank you to the following for providing more information:
Norman Field, Mike Jones, Richard Prout
Page last updated on:
July 08, 2024
First the 800-series which are
instrumental recordings. Where these have been reported but WITHOUT catalogue
numbers, I have put an asterix against the catalogue number.
Cat No | Matrix | Title | Labelled Artists | Notes |
800* |
3172 3174 |
Alexandra Ragtime Band [sic] Detective Dance (with Bells) |
Grand Metropole Band | |
801 |
3171 |
Mysterious Rag Honolulu Ragtime |
Grand Metropole Band | |
802 |
"Lysistrata" - Glow Worm Idyll "The Flying Dutchman" - Sailors' Chorus |
Military Band | ||
803 |
"Quand L'Amour Meurt" - Love's Last Word, waltz Gold And Silver Waltz |
Military Band | ||
804 | Donau Wellen waltz | Military Band | ||
805 |
Tortajada - valse Espagne Valse Bleue |
Military Band | ||
806 |
3188 3189 |
The Birds And The Brook - descriptive The Post-Horn In The Forest (cornet solo) |
Military Band | |
807 |
Jolly Fellows, waltz La Czarina, mazurka |
Military Band | ||
808 |
Elysium, waltz Francisco Waltz |
Piano Solo | ||
809 |
King Cotton March Liberty Bell March |
Military Band | ||
810* |
3198 ? 3199 |
Amina - an Egyptian serenade
[wax: 1654] Siamese Patrol - descriptive [wax: 1045) |
Military Band | |
811* |
3200 3201 |
El Capitan, march The Stars And Stripes Forever, march |
Military Band | |
812 |
Entry Of The Gladiators, march Under The Banner OF Victory, march |
Military Band | ||
813 |
3204 3205 |
"A Midsummer Night's Dream" - Wedding March "William Tell", overture part 3 |
Military Band | |
814 |
The Whistler And His Dog Whistling Rufus |
Grand Metropole Band Military Band |
||
815 |
3208 |
Poppies - a Japanese romance The Turkish Patrol - descriptive |
Military Band Grand Metropole Band |
|
816 |
Brooklyn Cake Walk the Camp Meeting - cake walk |
Military Band Grand Metropole Band |
||
817* |
3212 3213 |
"Tannhauser" - selection "Martha" - selection |
Military Band | |
818 |
3214 |
"The Tales Of Hoffman" - barcarolle "Die Fledermaus" - waltz |
Military Band | |
819 |
3215 |
Nights Of Gladness, waltz "Alfred" - Rule Britannia; God Save The King |
Military Band | |
820 |
3242 3243 |
Down In Jungle Town Grizzly Bear |
Grand Metropole Band | |
821 |
40439 40440 |
Sambo's Picnic Coonland Memories |
John Pidoux (banjo) | |
822 | ||||
823 | ||||
824 | ||||
825 |
Now the 900-series which are vocal recordings. Plus a solitary issue with Cat No 1000. I am showing the face numbers too, and again I will asterix the catalogue numbers to show where a record without the catalogue number has been reported.
Cat No | Face No. | Matrix | Title | Labelled Artists |
900 |
36-4677 36-4688 |
5267 5268 |
"The Chocolate Soldier" - The Letter Song "The Chocolate Soldier" - My Hero |
Rosa Dallow (soprano) |
901 |
36-4711 |
5271 |
Don't Do It Again, Matilda Never Been Courting Before |
Harry Champion (comedian) George Bastow (comedian) |
902 |
34-5833 36-4433 |
5083 ? 5243 ? |
If I Had The World To Give You Nobody Knows - Nobody Cares |
Robert Carr (baritone) Stanley Kirkby (baritone) |
903 |
36-4511 ? 36-4533 |
5151 5253 |
Cheer Up, My Highland Lassie Any Little Girl That's A Nice Little Girl |
Arthur Field (comic) |
904 |
35-4277 35-4299 |
5127 5139 |
There's No Home Like The Old Home For Auld Lang Syne |
Harry Trevor (baritone) (= Robert Carr) |
905 |
35-4288 35-4366 |
5128 5136 |
I'm Trying So Hard To Forget You To The End Of The World With You |
Harry Trevor (baritone) (= Robert Carr) |
906 |
35-4299 35-4377 |
5129 5137 |
Jolly Good Luck To The Girl Who Loves A Soldier Every Little Girl Loves a Military Man |
Harry Trevor (baritone) (= Robert Carr) |
907 |
35-4211 35-4255 |
5121 5125 |
From Poverty Street To Golden Square A Picture No Artist Can Paint |
Harry Trevor (baritone) (= Robert Carr) |
908 |
35-4533 35-4544 |
5153 5154 |
Abide With Me The Lost Chord |
Florence Venning (contralto) |
909* |
35-4555 35-4588 |
5155 5158 |
Daddy Genevieve |
Florence Venning (contralto) |
910 |
35-4900 35-4911 |
5190 5191 |
The Bedouin Love Song Thora |
Thomas Howells (bass) |
911* |
35-4733 35-4744 |
5173 5174 |
The Trumpeter My Old Shako |
Albert Chapman (baritone) |
912* |
35-4711 |
5171 |
The Irish Emigrant My Wild Irish Rose |
Albert Chapman (baritone) |
913 |
35-4899 |
5189 |
The Star Of Bethlehem God's Garden |
Thomas Jackson (tenor) W.G. Callinan (tenor) |
914 |
35-4999 36-4033 |
5199 5203 |
Always Jolly Laughing All The Day |
Billy Whitlock (comedian) |
915 |
35-4988 36-4011 |
5198 5201 |
All I Said Was "Ha! Ha! Ha!" Come Under My New Gamp |
Billy Whitlock (comedian) |
916 |
Annie Laurie The Swanee Shore (plantation song) |
The Boston Quartette | ||
917 |
34-4700 34-4733 |
5070 5073 |
Massa's In De Cold, Cold Ground Nellie Grey |
The Boston Quartette |
918 |
36-4055 36-4177 |
5205 5217 |
There Are Nice Girls Everywhere I've Got Rings On My Fingers |
Harry Bluff (comedian) |
919* |
34-4933 35-4766 |
5093 5176 |
There's Nobody Just Like You "Maritana" - In Happy Moments |
W.G. Callinan (tenor) Albert Chapman (baritone) |
920 |
34-4944 |
5094 |
"Lallah Rookh" - I'll Sing Thee Songs Of Araby "Robin Hood" - Oh, Promise Me |
Albert Chapman (baritone) |
921 |
35-4166 35-4177 |
5116 5117 |
My Dreams Good-Bye |
Julius Malten (tenor) |
922 |
35-4444 35-4455 |
5144 5145 |
Calligan Call Again The Wedding Of Launchie McGraw |
Dougal McNab |
923 |
35-4400 35-4500 |
5140 5150 |
Stop Yer Tickling, Jock Queen Amang The Heather |
Dougal McNab |
924* |
35-4411 35-4477 |
5141 5147 |
Bonnie Leezie Lindsay We Parted On The Shore |
Dougal McNab |
925 |
35-4677 35-4699 |
5167 5169 |
Excelsior The Larboard Watch |
Wilfred Virgo & Albert Chapman |
926 |
35-4688 35-4700 |
5168 5170 |
The Moon Hath Raised Her Lamp Above All's Well |
Wilfred Virgo & Albert Chapman |
927 |
36-4200 36-4233 |
5220 5223 |
"The Arcadians" - My Motter My Wife's Cake |
Harry Bluff (comic) |
928 |
35-4755 |
5175 |
For All Eternity Come Into The Garden Maud |
Albert Chapman (baritone) Wilfred Virgo (tenor) |
929 |
35-4300 36-4066 |
5130 5206 |
Ship Ahoy! I Played My Concertina |
Harry Trevor (baritone) (= Robert Carr) Harry Bluff (comic) |
930 |
35-4233 35-4266 |
5123 5126 |
When We Went To School Together As The Years Roll By |
Harry Trevor (baritone) (= Robert Carr) |
931* |
35-4511 35-4599 |
5151 5159 |
Come Sing To Me Love's Old Sweet Song |
Florence Venning (contralto) |
932 |
36-4288 |
5228 |
Fall In And Follow Me Nellie Dean |
Jack Charman (comedian) James Hudson (baritone) |
933 |
36-4588 |
5258 |
Come With Me Down Regent Street Ginger, You're Barmy |
Jack Charman (comedian) Will Randall (comedian) |
934 |
36-4277 |
5227 |
Put On Your Ta-Ta Little Girlie Down In Jungle Town |
Jack Charman (comedian) Pete Brown (coon song) (= Will Terry) |
935 |
35-4311 36-4444 |
5131 5244 |
Red Wing Your Eyes Have Told Me So |
Harry Trevor (baritone) (= Robert Carr) Thomas Jackson (tenor) |
936 |
36-4700 33-0466 |
5270 41046 |
Henry The Eighth The Belle Of The Barber's Ball |
Alf Willis (comic song) Nancy Hastings & Pete Rastus (= Nancy & Jack Charman) |
937* |
35-4244 36-4499 |
5124 |
When The Fields Are White With Daisies I Wonder If You Miss Me Sometimes |
Harry Trevor (baritone) (= Robert Carr) Harry Thornton (baritone) |
938 |
35-4144 36-4666 |
5114 5266 |
I Used To Sigh For The Silvery Moon On The Silvery Sands |
Julius Malton (tenor) Frank Miller (baritone) (= Stanley Kirkby) |
939 |
36-4000 36-4033 |
5200 5203 |
Billy Whitlock's Aeroplane Billy Whitlock's Wedding |
Billy Whitlock (comedian) |
940 |
36-4277 36-4288 |
5227 5228 |
Put On Your Ta-Ta Little Girlie Fall In And Follow Me |
Jack Charman |
941 |
Eileen Alannah True Till Death |
Harry Thornton (baritone) | ||
942 |
36-4477 |
5247 |
You Taught Me How To Love You I Wonder If You Miss Me Sometimes |
Phil Gordon |
943 |
35-4244 35-4311 |
5124 5131 |
When The Fields Are White With Daisies Red Wing |
Harry Trevor (baritone) (= Robert Carr) |
944 |
36-4355 36-4388 |
5235 5238 |
Captain Ginjah O.T. By The Sea |
Charles Denton (comic) |
945 |
36-4566 36-4577 |
5256 5257 |
Here Comes The Chocolate Major Take Your Girlie Where The Band Is Playing |
Jack Charman |
946 |
35-4200 35-4222 |
5120 5122 |
The Angel Of My Dreams The Land Where The Angels Are |
Harry Trevor (baritone) (= Robert Carr) |
947 |
35-4355 35-4388 |
5135 5138 |
Two Eyes Of Brown Pansies Mean Thoughts And Thought Mean You |
Harry Trevor (baritone) (= Robert Carr) |
948 |
Farewell To Summer My Dreams |
Wilfred Virgo (tenor) | ||
949 |
The Message The Sailor's Grave |
Wilfred Virgo (tenor) | ||
950 |
34-4788 ? 34-4799 |
5078 ? 5079 |
A Winter's Lullaby Cradle Song |
Florence Bruce (soprano) |
951 |
34-4988 35-4866 |
5098 5186 |
My God And Father The Choir Boy |
Florence Bruce (soprano) |
952 |
34-4833 |
5083 |
"Samson and Delilah" - Softly Awakes My Heart In The Shadow Of The Pines |
Florence Bruce (soprano) |
953 |
35-4633 35-4655 |
5163 5165 |
Stoke Cracker John A Sergeant Of The Line |
Adolph Fowler (bass) |
954* |
35-4644 |
5164 |
Simon The Cellarer A Chip Off The Old Block |
Adolph Fowler (bass) |
955 |
35-4966 35-4977 |
5196 5197 |
"Elijah" - Lord God Of Abraham "Elijah" - It Is Enough |
Thomas Howells (bass) |
956 |
35-4622 35-4722 |
5162 5172 |
Three For Jack The Corporal's Ditty |
Adolph Fowler (bass) Albert Chapman (baritone) |
957* |
34-4255 34-4922 |
5025 5092 ? |
I Wonder Who's Kissing Her Now? The Girl I Left Behind (Frederick Bevan) |
Jack Charman (baritone) W. Norcross (baritone) |
958 |
36-4566 |
5256 |
Here Comes The Chocolate Major You Taught Me How To Love You |
Jack Charman (baritone) |
959 |
36-4600 |
1946-t 5260 |
I Must Go Home To-Night Follow The Tramlines |
Billy Williams Robert Nelson (comic) (= Jack Charman) |
960 |
36-4355 36-3522 |
5235 5252 |
Captain Ginjah, O.T. Mister Pat O'Hare |
Charles Denton (comic) Arthur Fields (comic) |
961 |
33-0466 33-0477 |
41046 41047 |
The Belle Of The Barber's Ball Down In Jungle Town |
Nancy Hastings & Pete Rastus (= Nancy & Jack Charman) Pete Rastus (= Jack Charman) |
962 |
35-4488 35-4499 |
5148 5149 |
I Love A Lassie When I Get Back To Bonnie Scotland |
Dougal MacNab (Scotch comedian) |
963 |
36-4088 36-4155 |
5208 5215 |
Archibald, Certainly Not Oh, Joe, I Want To Go To The Picture Show |
Harry Bluff (comic) |
964 |
Cover It Over Quick, Jemima Let's Have A Basin Of Soup |
Harry Champion (comedian) | ||
965 |
35-4933 35-4955 |
5193 5195 |
Asleep In The Deep When The Ebb Tides Flow |
Thomas Howell (bass) |
966 |
36-4100 36-4144 |
5210 5214 |
Tax the Bachelors Let's All Go Down The Strand |
Harry Bluff (comic) |
967 |
34-4844 35-4033 |
5084 5103 |
Off To Philadelphia The Whistling Bowery Boy |
W. Norcross (baritone) |
968 |
All Clear Out Of The Park We Don't Want A Girl For Sunday |
Frank Miller (comic) (= Stanley Kirkby) | ||
969 |
36-4599 35-4600 |
5259 5260 |
Why Does Mrs Flanagan Want To Go To The Isle Of Man? Follow The Tramlines |
Robert Nelson (= Jack Charman) |
970 |
Sing Me To Sleep Sleep And Forget |
Philip Ritte (tenor) | ||
971 |
35-4188 |
5218 |
I Wish I Lived Next Door To You Anywhere Is Alright When You're Doing Well |
Harry Bluff (comic) |
972 |
"The Quaker Girl" - Come To The Ball I Wonder If You Miss Me Sometimes |
Harry Thornton (baritone) | ||
973* |
36-4299 36-4455 |
5229 5245 |
My Bungalow In Bond Street Silver Bell |
Jack Charman Philip Gordon (baritone) |
974 |
36-4044 36-4722 ? |
5204 5272 |
"Our Miss Gibbs" - Yip-I-Addy-I-Ay The Natty Little Patch Behind |
Harry Bluff (comedian) Harry Champion (comedian) |
975 |
? 36-4588 |
5232 5258 |
There's A Little Black Cupid In the Moon Come With Me Down Regent Street |
Harry Trevor (baritone) (= Robert Carr? - May be Jack Charman in this
case) Jack Charman (baritone) |
976 |
My Honolulu Queen Loch Lomond |
Eleanor Bruce | ||
977 |
E-27 E-28 |
Waiting For The Robert E. Lee Hitchy Koo |
Ward & Ford (duet) (= Terry & Osborn) (same on all the duets below, possibly) | |
978 |
E-40 |
The Ragtime Goblin Man Dicky Bird |
Ward & Ford (duet) | |
979 |
E-30 E-54 |
I Want To Be In Dixie The Gaby Glide |
Ward & Ford (duet) | |
980 |
E-98320 . |
E-32 E-39 |
The Ragtime Soldier Man Ragtime Cowboy Joe |
Ward & Ford (duet) |
981 |
E-36 E-47 |
Alexander's Rag Time Band That Mysterious Rag |
Orchestra and vocal duo | |
982 |
E-33 E-51 |
The Ghost Of The Violin The Ragtime Violin |
Ward & Ford (duet) | |
983 |
E-52 |
Everybody's Doing It Now Oh! You Beautiful Doll |
Ward & Ford (duet) Orchestra & vocal Duo |
|
984 |
Baby Rose Ragging The Baby To Sleep |
Ward & Ford (duet) | ||
985 |
Nobody Loves Me Pucker Up Your Lips, Miss Lindy |
Alf Hartley (comic) | ||
986 |
E-10 E-23 |
Farmyard Ragtime The Ragtime Yokel |
Alf Hartley (comic) B. Carter (comic) |
|
987 |
E-53 E-56 |
The Spaniard That Blighted My Life Woolloomoloo |
F. Bentley (= Will Terry) | |
988 |
Mr. Cupid They All Walk The Wibbly Wobbly Walk |
Jack Charman | ||
989 |
E-31 E-37 |
The Countryman's Holiday Saturday Night Till Monday Morning |
B. Carter (comic) (= Will Terry) Jack Charman (comic) |
|
990 |
E-17 |
That Awful Joke I Burst Out Laughing |
Charles Penrose (comedian) G. Dodd (comedian) |
|
991 | ||||
992 | ||||
993 | ||||
994 | ||||
995 |
E-9915/1E E-9935/3E |
The Future Mrs. 'Awkins My Old Dutch |
Frank Sands | |
996 | ||||
997 | ||||
998 | ||||
999 | ||||
1000 |
38-4244 38-4233 |
4320-t |
The Girl From London Town My Old Grey Coat |
Charles Denton Billy Williams |
The following item hasn't been traced to a 900-series catalogue, though No. 902 plays the same tune by the same artist.
Cat No | Matrix | Title | Labelled Artists | Coupling |
33-0666 | 41066 | Nobody Knows - Nobody Cares | Stanley Kirkby (baritone) |
Note: All the above listings are of standard 10" records. There were 12" Pickofall records as well, but I have no details of any.