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These were produced for Morgan & Scott of London during 1918 and used
Invicta & Guardsman masters, some dating as far back as 1913. The records state "Made in England" and were made by Crystalate, who pressed Guardsman records at the time, though interestingly, some of the masters used were original "Invicta" mastes which, in theory, should only be available in Germany! Frank Andrews reports that the first issue of the records was in November 1918, and contained 12 records; a mixture of 10" (at 3/-) and 12" (at 5/-). As can be seen by the listing here, only about 30 different Melody Records seem to have been produced, with catalogue numbers running from 251 to 279 (irrespective of the record's size); this may represent only 3 issues; Frank says they were never mentioned in the trade journals. |
This is a first attempt at a listing. Please e-mail me if you can help me fill in the gaps in any of these series.
My thanks to Frank Andrews and Norman Field in providing most of the information for this page.
Thanks also to: Mike Atkins, Mike Langridge John Norman
Page last updated on: July 06, 2020
NOTE: An asterix is shown next to the catalogue
number if the record is 12".
Cat No | Matrix | Title | Labelled Artists | Source |
251 |
1407 1408 |
Beyond The Smiling And The Weeping Like A Bird On The Deep |
Ethel Toms (contralto) | Guardsman 1034 |
252 |
1409 1410 |
What Will You Do With Jesus ? So Near To The Kingdom |
Ethel Toms & Robet Carr | Guardsman 1049 |
253* |
1411 1412 |
Ninety And Nine O Homeland! |
Robert Carr (baritone) | Guardsman 2124 |
254 |
1414 1428 |
There Is Never A Day So Dreary (G.C. Stebbins) The Christian's "Good-Night" |
Robert Carr (baritone, with orch accmp) John Perry (tenor) |
Guardsman 1048 Guardsman 1050 |
NOTE: On the above record, the matrix numbers are reversed on the labels, the numbers shown here are taken from the record itself. | ||||
255 |
1427-x 1429 |
O Beautiful Land (G.C. Stebbins) The Shepherd True |
John Perry (tenor, with och accmp) |
Guardsman 1050 Guardsman 1106 |
256 |
1430 1431 |
Welcome, Wanderer, Welcome God Holds The Key |
John Perry (tenor) Ethel Toms (contralto) |
Guardsman 1106 . |
257* |
1433 1477 |
One Day Nearer Home Lily Of The Valley |
Ethel Toms (contralto) and John Perry (tenor) Sybil Elliott (soprano) |
Guardsman 2126 |
258 |
When For Me The Sunlight Gleams Over Thorn And Thistle |
Sybil Elliott (soprano) | Guardsman 1104 | |
259 |
1432 1504 |
Only A Little Word Hold Thou My Hand |
Ethel Toms (contralto) Robert Carr (baritone) |
. Guardsman 1048 |
260* |
1661 1662 |
The Sinner And The Song When The Mists Have Rolled Away |
The Christian Choir (quartette) | |
261* |
1663 . |
Peace, Perfect Peace No Night There |
The Christian Choir (quartette) |
Guardsman 2136 . |
262* |
1664 1666 |
Saved By Grace Though Your Sings Be As Scarlet |
The Christian Choir (quartette) |
Guardsman 2136 . |
263 |
14414 14634 |
Ave Maria (Gounod) The Lost Chord (Sullivan) |
Mr. Walter Ross ('Cello) Mr. W. Sizer (cornet) |
Invicta 194 Invicta 223 |
264 |
1583 1585 |
Moment By Moment Tenderly Pleading |
Ethel Toms (contralto, with orch) | |
265 | ||||
266 | ||||
267 | ||||
268 |
20165 20167 |
Abide With Me (W. Hancock) Lead, Kindly Light |
E. Pembroke (tenor) (= Thomas Jackson) |
Invicta 234 Invicta 254 |
269 | ||||
270 | ||||
271 | ||||
272 | ||||
273 | ||||
274 | ||||
275 | ||||
276 |
1609 1610 |
Knocking, Knocking Who Is There? Hiding In Thee |
Robert Carr (baritone) | Guardsman 1032 |
277 | ||||
278* |
1708 1709 |
Come Wanderer Home Along The River Of Time |
The Christian Choir (quartette) |
Guardsman 2125 . |
279* |
1710 1711 |
God Is Calling Yet God Be With You Until We Meet Again |
Christian Choir Quartet |
Guardsman 2117 Guardsman 2116 |
280 |